Mary Stanley

Everlasting flowers and foliages become enchanting wreaths and arrangements- a gathering of Summer’s Bounty. Like walking in the garden on a golden August day.

Flowers grown and gathered from my own garden ensure vibrant colors. Each wreath tells its own story. A profusion of color promises the joy of flowers all year long.

Just like us, no two are exactly alike. Each wreath and arrangement is made entirely by hand one at a time.

Because you can never have too many flowers.

Tom & Carol Bognar

Having an interest in history and art, we have combined both to create decorative & utilitarian items from gourds-Folk Art Gourd Pottery. Throughout history there are many references to gourds. As the world’s oldest pottery, they have been used for their functionality as containers of all sorts worldwide. During the fair we will explain the background & historical use of gourds and the preparation of them thru cutting and cleaning. A gourd that is planted one year,dries for months and is ready for use the following year is very unique & is of interest to the public.

The techniques we use on our work include: carving,watercolor,paint,pen&ink,dye work and wood burning. Our line consists of bowls,baskets,jugs,vases,canisters,pockets,clocks and pitchers. Designs are inspired by historical motifs,botanical/nature,graphics & seasonal.
We will display in a beautiful period style canvas tent.

Our gourd work has been featured in magazines, television and part of other quality art events.

Callaway Colonials

Candy & Dave Barnes

We use traditional tools to weave rattan over handmade molds to create our Nantucket baskets. Various American hardwoods as well as exotics are used for handles, bases & lids and are made on a lathe or by using steam bending techniques. Our walking sticks & canes are made from raw buffalo or rams horn using heat and historical bulking techniques. The shafts are either turned on a lathe or natural that we have harvested, dried, straightened, prepared for use & are custom fit for customer.

Kid Friendly! Children, over 6 years old and with their parent’s permission, can try their hand at weaving.

Tacy Hawkins

I am a hand spinner, weaver, knitter, and crocheter and I like to experiment with felting and other textile related work. I prefer to use natural fibers, but find it sometimes necessary to include man-made fibers.

My weaving includes rugs, place mats, table runners, scarves, and shawls. The rugs are primarily re-cycled cotton or wool. I really enjoy the challenge of re-purposing used textiles into “new” functional items.

I knit, weave, and crochet hats, scarves, socks, gloves, and mittens and I use my hand spun yarn in some of these items. I also knit and then felt wool hats and embellish them with hand embroidery. All items are my own original designs.

I would like to demonstrate weaving on my small four harness floor loom. I will prepare re-cycled clothing/fabric and then weave it into “hit or miss” rag place mats. I enjoy weaving very much and like to share it with others. Both children and adults are welcome to weave on my loom.

Lodema Lindamood

Handmade, one at a time Carpetbags made in Woodstock Va.  Made from upholstery fabric, with leather rope handles, fabric straps  and brass or antique brass locking mechanisms.  Wooden bottoms with brass stud feet. Inside pockets, some with zippers.  My carpetbags have been in movies like Tombstone, Bewitch, The Lone Ranger, Hell on Wheels (western), Last Man Standing and many more.

Judy Rohrbaugh

Combination of clay and pine needle basketry. The basketry is done using a coiling technique with long leaf pine needles, that I gather from the forest floor in the southeastern United States. Needles range from ten to sixteen inches in length. Raffia, which comes from palm trees, is used for the stitching. I use raffia and needles in their natural state, and also hand dye them to use in various colors. The pots are wheel thrown stoneware or raku, decorated with engobes and glazes that I have formulated and mixed. I incise, carve, or use multiple glazes on the pots. The stoneware is fired over 2300 degrees for twelve hours; raku is fired outside in a primitive kiln. Each piece is an effort to incorporate the two mediums in a complimentary way. The end result is nature inspired pottery, influenced by being created in the United States.