Waterford Fair

77th American Crafts & Historic Homes Tour

Clay

Linthicum, Lori

by

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Linthicum Hearts Desire Pottery

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Clay

As a gardener comfortable in the dirt, I find satisfaction using that same type of medium, clay, to try and replicate Nature’s art.

Porcelain allows me to create a three dimensional, tactile effect as I try to bring my native habitat to life for others to enjoy year round in their homes and gardens.

Through handbuilding, slabwork and coiling I manipulate the clay into buds breaking from the surface just as real blossoms spring from the soil. Mason stains and underglazes give me a wide palette to paint the details, then I spray a clear glaze and fire to
cone 6. Some pieces are further enhanced with lusters.

Some regular visitors may recognize Lori’s work from the Old Mill Shop, where she has sold for many years. We are excited that she was accepted as Demonstrating Juried Artisan this year!

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Savely, Clay

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Clay Savely

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Tree of Life Potters

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Clay

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Functional hand-built stoneware ceramics comprised of complex impressions of Appalachian ferns, leaves, flowers and tree bark inlaid in mandalas and landscape themes and then fossilized into the clay with iron oxides. Earth toned glazes are added to some leaf imprints to mimic the colors that nature intended and sometimes abstract designs are applied. This vision is to reconnect the public to nature by the infusion of earth and plant worlds into art that creates a specific vibration.

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Supraner, Scott & Vicki

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Scott & Vicki Supraner

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Hawksbill Pottery

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Clay

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We create a unique collection of handcrafted stoneware. Each piece is embossed with original designs and hand painted with lead-free glaze. All pieces are ovenproof, dishwasher and microwave safe. Some pieces are thrown on a potter’s wheel, handbuilt with slabs and extruded pieces. Embossments are made from stamps that are hand carved from clay, then fired and impressed into wet clay. Our glazing technique is similar to a batik process. Wax is painted as a resist between layers of glaze to create colorful designs and patterns. We do not use stencils. Each piece is painted free hand with a brush, giving spontaneous life to each piece. We belive this direct process infuses the object with human energy.

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Winegar, Linda & Jim

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Linda & Jim Winegar

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Winegar Pottery

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Clay

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The majority of our functional and decorative stoneware pottery is created on the potter’s wheel. Many pieces are enhanced with hand-embossed or carved patterns, hand-formed leaves and acorns, and sometimes semi-precious gemstones. We carefully formulate our glazes to enhance our forms with a unique and distinctive color palette. All pieces are fired in a gas kiln to 2300 degrees, providing strength and durability.

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Piazza, Anne

by

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Anne Piazza

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Clay

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A Contemporary Adaptation of a Traditional Craft

Each porcelain ornament or egg features colorful raised detail, providing both visual and textural elements. I strive to convey an emotion with every piece, the response being unique to each individual. Memories of holidays, family, history, or whimsy may all come to mind, the ultimate goal being the creation of future heirlooms to be passed down through generations

I have chosen porcelain as my medium, as it is smooth and refined in texture but also extremely strong. This clay body is most appropriate for the intricate raised artwork, the signature of my work. The pieces are cast from original molds

Technique: This is a modification of the historical slip trailing technique used by potters throughout the centuries. My contemporary adaptation to the use of syringes provides the method for capturing the tiniest of detail.
All pieces are signed and dated by Anne Piazza, and include a certificate of authenticity

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[email protected]

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Waterford Landmark Artisan

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Steinhagen, Erich

by

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Erich & Janice Steinhagen

[/fusion_title][fusion_title hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” content_align=”left” size=”3″ font_size=”” line_height=”” letter_spacing=”” margin_top=”” margin_bottom=”” margin_top_mobile=”” margin_bottom_mobile=”” text_color=”” style_type=”default” sep_color=”” margin_top_small=”” margin_bottom_small=””]

Waterford Landmark Artisan

[/fusion_title][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”default” rule_size=”” rule_color=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””]

We create redware pottery informed by the traditions of the 18th century in Great Britain and the American colonies. Using traditional wheel-throwing techniques mastered over the course of four decades of working in clay, we create everyday wares typical of the period as well as more complex and unusual forms. Many of these forms, such as puzzle mugs, inkwells, ring flasks, pierced double-walled ware and harvest jugs, require a high mastery of technique and thus are not commonly encountered today. We also use sgraffito techniques to decorate our pieces in a traditional manner, replicating or adapting motifs of the period from many different decorative-arts and period-culture sources. We are committed to research into the ceramic forms of the period, and to educating the public, particularly children, about the pottery tradition by demonstrating our process at the events we attend.

http://steinhagenpottery.com

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Rohrbaugh, Judy

by

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Judy Rohrbaugh

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Clay

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Combination of clay and pine needle basketry. The basketry is done using a coiling technique with long leaf pine needles, that I gather from the forest floor in the southeastern United States. Needles range from ten to sixteen inches in length. Raffia, which comes from palm trees, is used for the stitching. I use raffia and needles in their natural state, and also hand dye them to use in various colors. The pots are wheel thrown stoneware or raku, decorated with engobes and glazes that I have formulated and mixed. I incise, carve, or use multiple glazes on the pots. The stoneware is fired over 2300 degrees for twelve hours; raku is fired outside in a primitive kiln. Each piece is an effort to incorporate the two mediums in a complimentary way. The end result is nature inspired pottery, influenced by being created in the United States.

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[email protected]

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Waterford Landmark Artisan

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Shaffer, Gary

by

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Gary Shaffer

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Clay

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Fine craft must begin with a solid command of the use of materials and processes, then combine with the artist’s creativity. The very first time I sat down at a potter’s wheel I felt this desire to achieve craftsmanship combined with vision. It is the magnet that draws me back again and again to clay, making vessels that express my sense of form, color, and style. I strive to communicate the sense of excitement and satisfaction I feel from all the processes of creating each piece. My work is functional cups, plates, bowls, ovenware, pitchers, jars, canisters, garden vessels, vases, and more. My traditional salt fired ware is made from high-fired stoneware clay and decorated with cobalt slip-trailed designs. It is fired to approximately 2400 degrees F. and is suitable for all food use.

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Waterford Landmark Artisan

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