Waterford Fair

78th American Crafts & Historic Homes Tour

Clay

Linthicum, Lori

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Linthicum Hearts Desire Pottery

Clay

As a gardener comfortable in the dirt, Linthicum finds satisfaction using that same type of medium, clay, to try and replicate Nature’s art.

Porcelain allows her to create a three dimensional, tactile effect and try to bring native habitat to life for others to enjoy year round in their homes and gardens.

Through handbuilding, slabwork and coiling the clay is manipulated into buds breaking from the surface just as real blossoms spring from the soil. Mason stains and underglazes give a wide palette to paint the details, then a clear glaze is added and fire to cone 6. Some pieces are further enhanced with lusters.

Some regular visitors may recognize Lori’s work from the Old Mill Shop, where she has sold for many years.

heartsdesirepottery.net

Haigh, Paul

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Pottery

Haigh’s main body of work applies realistic sculpting to the traditional wheel turned face jug. The idea of creating realistic human faces was intimidating, and so he took it on as a challenge.

He draws on a wide range of subject matter as inspiration, including normal human emotion, as well as mythology, and the science fiction and horror genres.

Although most of the business is conducted online, he thoroughly enjoys the wide-ranging conversation about influences, pottery history, and technical detail that a display of his work inevitably provokes.

facebook.com/whmudworks

Kesler, Jonathan

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Earthly Arts Pottery

Landmark Artisan
Landmark Artisan

Clay

As a clay artist for four decades, my construct and intent for the creations of my hands and mind are simple. I am trying to bring into the world objects which impart a feeling and mentality of beauty.

The inclusion of the visual, how it enters the eye and so mind, is meant to suggest, without demand, a sense of balance, ease, and harmony and thereby yield strength and content(ment) to the mind.

Though the work may be deemed a functional in nature , it can morph into a presence which alters environment by simply being . It then does not have to be a used to function , and so becomes effective and affecting . This would be to yield change, and so congruent with life.

The leap which clay offers, is the adroitness of inclusion by function and use, multiplying capacity. If I am good enough as a thinker, an artist, and a craftsman, I can build a bridge upon which beauty can travel and so by begin a synergy.

[email protected]

earthlyartspottery.com

Supraner, Scott & Vicki

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Hawksbill Pottery

Clay

Hawksbill Pottery produces a unique collection of handcrafted stoneware. Some pieces are thrown on a potter’s wheel while others are hand built with slabs and extruded pieces. Each piece is embossed with original designs and hand painted with lead free studio mixed glazes.  Our glazing technique is similar to a batik process. A variety of masking materials are used between layers of glaze to create colorful designs and patterns.  All pieces are ovenproof, dishwasher and microwave safe. Unlike earthenware, stoneware has been fired to a very high temperature, vitrifying the clay to create a strong and durable finished product.  Each piece is painted free hand with a brush, giving spontaneous life to each piece. We believe this direct process infuses the object with human energy. If cared for properly, your piece should last a lifetime and be enjoyed by generations to come.

www.hawksbillpottery.com

Piazza, Anne

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Clay

ARTISAN-SEAL
Landmark Artisan

A Contemporary Adaptation of a Traditional Craft

Each porcelain ornament or egg features colorful raised detail, providing both visual and textural elements. Piazza strive to convey an emotion with every piece, the response being unique to each individual. Memories of holidays, family, history, or whimsy may all come to mind, the ultimate goal being the creation of future heirlooms to be passed down through generations

Piazza has chosen porcelain as her medium, as it is smooth and refined in texture but also extremely strong. This clay body is most appropriate for the intricate raised artwork, the signature of her work. The pieces are cast from original molds

Technique: This is a modification of the historical slip trailing technique used by potters throughout the centuries. The contemporary adaptation to the use of syringes provides the method for capturing the tiniest of detail.

All pieces are signed and dated by Anne Piazza, and include a certificate of authenticity.

[email protected]

Steinhagen, Erich & Janice

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ARTISAN-SEAL
Landmark Artisan

2021 Artisans of the Year
Steinhagen’s work draws heavily on the redware pottery produced in the 18th century by potters in England and by the Pennsylvania German tradition. They create forms that mirror the everyday plain mugs, bowls, and plates used in homes across the American colonies, and take special delight in reproducing unusual and decorative forms – puzzle mugs, harvest jugs, pierced double-walled pieces, sculptural posset pots. They conduct ongoing research (both here and in England) to gain a deeper understanding of the breadth of work produced by early potters. Steinhagen often uses their findings as a springboard to create original works that speak to the traditions of the past and connect them to the present day.

Erich’s been a potter since he was in high school. We met in college in western Pennsylvania when we were both art majors, 45 years ago. He kept up with the pottery as a side gig through three kids and 30 years in a 9 to 5 job, but it wasn’t until about 20 years ago that Janice finally gave in to his encouragement to try sgraffito on his pottery. That’s when our work really took off. All the wheel and sculptural work is done by Erich; Janice does the sgraffito, and also makes slump-molded plates, brooches and ornaments.

We enjoy collaborating to create an interplay of the clay forms and the inscribed motifs, which freely borrow from both Pennsylvania German and British folk pottery traditions. And the use of text (again, a traditional design element for both German and British styles) speaks to Janice’s 40-year career as a journalist and wordsmith. One of our favorite current projects is creating mugs with quotes from our founding fathers and mothers, ranging from George Washington and Alexander Hamilton to Abigail Adams and Black poet Phillis Wheatley. Their words resonate even more deeply today, and we love engaging people in history through stirring words that speak to the present moment.

steinhagenpottery.com

Rohrbaugh, Judy

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Clay

Judy Rorhbaugh’s pottery features a combination of clay and pine needle basketry. The basketry is done using a coiling technique with long leaf pine needles, gathered from the forest floor in the southeastern United States. Needles range from ten to sixteen inches in length. Raffia, which comes from palm trees, is used for the stitching. Rohrbaugh uses raffia and needles in their natural state, and also hand dyes them to use in various colors. The pots are wheel thrown stoneware or raku, decorated with engobes and glazes that she formulated and mixed. The stoneware is fired over 2300 degrees for twelve hours; raku is fired outside in a primitive kiln. Each piece is an effort to incorporate the two mediums in a complimentary way. The end result is nature inspired pottery, influenced by being created in the United States.

[email protected]

ARTISAN-SEAL
Landmark Artisan

Shaffer, Gary

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Gary Shaffer

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Clay

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Fine craft must begin with a solid command of the use of materials and processes, then combine with the artist’s creativity. The very first time I sat down at a potter’s wheel I felt this desire to achieve craftsmanship combined with vision. It is the magnet that draws me back again and again to clay, making vessels that express my sense of form, color, and style. I strive to communicate the sense of excitement and satisfaction I feel from all the processes of creating each piece. My work is functional cups, plates, bowls, ovenware, pitchers, jars, canisters, garden vessels, vases, and more. My traditional salt fired ware is made from high-fired stoneware clay and decorated with cobalt slip-trailed designs. It is fired to approximately 2400 degrees F. and is suitable for all food use.

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Waterford Landmark Artisan

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