Clay

Kesler, Jonathan

Earthly Arts Pottery

Clay

As a clay artist for four decades, my construct and intent for the creations of my hands and mind are simple. I am trying to bring into the world objects which impart a feeling and mentality of beauty.

The inclusion of the visual, how it enters the eye and so mind, is meant to suggest, without demand, a sense of balance, ease, and harmony and thereby yield strength and content(ment) to the mind.

Though the work may be deemed a functional in nature , it can morph into a presence which alters environment by simply being . It then does not have to be a used to function , and so becomes effective and affecting . This would be to yield change, and so congruent with life.

The leap which clay offers, is the adroitness of inclusion by function and use, multiplying capacity. If I am good enough as a thinker, an artist, and a craftsman, I can build a bridge upon which beauty can travel and so by begin a synergy.

[email protected]

earthlyartspottery.com

Piazza, Anne

Clay

A Contemporary Adaptation of a Traditional Craft

Each porcelain ornament or egg features colorful raised detail, providing both visual and textural elements. I strive to convey an emotion with every piece, the response being unique to each individual. Memories of holidays, family, history, or whimsy may all come to mind, the ultimate goal being the creation of future heirlooms to be passed down through generations

I have chosen porcelain as my medium, as it is smooth and refined in texture but also extremely strong. This clay body is most appropriate for the intricate raised artwork, the signature of my work. The pieces are cast from original molds

Technique: This is a modification of the historical slip trailing technique used by potters throughout the centuries. My contemporary adaptation to the use of syringes provides the method for capturing the tiniest of detail.

All pieces are signed and dated by Anne Piazza, and include a certificate of authenticity.

[email protected]

Steinhagen, Erich

We create redware pottery informed by the traditions of the 18th century in Great Britain and the American colonies. Using traditional wheel-throwing techniques mastered over the course of four decades of working in clay, we create everyday wares typical of the period as well as more complex and unusual forms. Many of these forms, such as puzzle mugs, inkwells, ring flasks, pierced double-walled ware and harvest jugs, require a high mastery of technique and thus are not commonly encountered today. We also use sgraffito techniques to decorate our pieces in a traditional manner, replicating or adapting motifs of the period from many different decorative-arts and period-culture sources. We are committed to research into the ceramic forms of the period, and to educating the public, particularly children, about the pottery tradition by demonstrating our process at the events we attend.

http://steinhagenpottery.com

Shaffer, Gary

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Gary Shaffer

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Clay

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Fine craft must begin with a solid command of the use of materials and processes, then combine with the artist’s creativity. The very first time I sat down at a potter’s wheel I felt this desire to achieve craftsmanship combined with vision. It is the magnet that draws me back again and again to clay, making vessels that express my sense of form, color, and style. I strive to communicate the sense of excitement and satisfaction I feel from all the processes of creating each piece. My work is functional cups, plates, bowls, ovenware, pitchers, jars, canisters, garden vessels, vases, and more. My traditional salt fired ware is made from high-fired stoneware clay and decorated with cobalt slip-trailed designs. It is fired to approximately 2400 degrees F. and is suitable for all food use.

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Waterford Landmark Artisan

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Maureen Mills & Steven Zoldak

Clay

Bridging Old World traditions with a contemporary sensibility these functional and decorative forms have an elegant calligraphic style that is unique. From stately urns to serving platters, the inspirations come from a melding of cultures and a personal design aesthetic to create work that is beautiful to use and to look at. The technique of slip trailing is applied to stoneware and porcelain forms to yield works that are both decorative and functional.

https://www.sliptrail.com/

Eugene, Winton and Rosa

Clay

Winton Eugene throws pottery on a wheel and decorates it, and Rosa Eugene glazes it. As two self-taught artists, pottery-making was a second career for both: Rosa Eugene was a nurse, and Winton Eugene had been a carpet installer and an army paratrooper during the Vietnam War—though he had always seen himself as an artist. In 1985 they retired to Cowpens, SC, where they continue to work and sell from their home studio today.

Techniques: Pieces are thrown on a potters wheel, pinched, coiled and hand-painted. The relief technique is drawn on with a pencil and clay is excised from leather hardened pottery. Glazes are mixed and applied to the frame the art work and enhance each detail.

Kid Friendly! Clay will be available to children to try making pinch bowls, frogs, mugs, turtles and worms, which will be demonstrated along with carving, etching and relief.