2021 Demonstrating Artisan

Kesler, Jonathan

Earthly Arts Pottery

Clay

As a clay artist of thirty-eight years , my construct and intent for the creations of my hands and mind are simple . I am trying to bring into the world objects which impart a feeling and mentality of beauty .

The inclusion of the visual , how it enters the eye and so mind, is meant to suggest , without demand , a sense of balance , ease , and harmony and thereby yield strength and content(ment) to the mind .

Though the work may be deemed a functional in nature , it can morph into a presence which alters environment by simply being . It then does not have to be a used to function , and so becomes effective and affecting . This would be to yield change , and so congruent with life .

The leap which clay offers, is the adroitness of inclusion by function and use , multiplying capacity . If I am good enough as a thinker, an artist , and a craftsman , I can build a bridge upon which beauty can travel and so by begin a synergy.

[email protected]

Kennedy, Selinda

Kennedy Redware Pottery

Clay

I am a historic redware potter since 1986. I employ historic folk art on slab technique redware pottery. I use mason stain and slip and underglazes.

kennedyredwarepottery.com

Kauffman, Justin

Kauffman Fine Furniture

Furniture

The zenith of furniture design and style in America was the last half of the mid-18th century and early 19th century. The designs of that period were based on Greco-Roman architecture and proportions, which had been, and since have been, tested by time and nature to be of enduring appeal and beauty. The embellishments and decoration were the accomplishments of refined and highly skilled, competent, and often visionary craftsmen. I find the beauty, appeal, skill, and vision of those craftsmen and their creations to be inspiring, desirable, and unsurpassed even today. Therefore, I study what they have left us and I try to emulate them-often in reproduction work, but always in spirit by creating pieces of timeless beauty, exceptional quality, and conscientious craftsmanship.

http://kauffmanfinefurniture.com

Foster, Jackson

Jackson Foster Historic Signs

Wood

With a passion for and background in art, graphic design, typography, woodworking, and history, I am now entering my third full year in crafting handmade 18th and 19th century tavern and trade signs. I continue to learn and apply, as much as possible, period techniques by researching historic people and places, and implmenting materials and tools to create my one-of-a-kind signs.

http://jfosterhistoricsigns.com

Aylward, Michael

Aldie Glassworks

Glass

The portfolio consists of large stained glass windows, utilizing traditional technique and craftsmanship. Each window is designed from colorful and vibrant portraits, using art glass as medium. Detailed borders frame and enhance the color scheme. Each piece is displayed with a large free-standing frame.

aldieglassworks.com

Roy Phillips

TinManRoy

Metal

I have been tinsmithing for the past 13 years. My wife and I use all hand tools used in the 18-19th century.

https://www.facebook.com/TinManRoy/

Rochford, Grace

I have always been interested in history and early American crafts. Through this interest, I became acquainted with the historical American floorcloths. I enjoy demonstrating and educating the public about this craft. During the last 12 years, I have made these canvas products for my home as well as for sale. My first piece, a large 8ft. rug is still in my front hallway. Many of my designs are inspired by the colonial canvases, although I create my own designs and have created contemporary items. My products begin with natural heavy cotton canvas. This canvas is stretched and coated with primer, artwork done and protective coats applied. The final step involves creating a folded under and glued hem. In addition to participating in many shows, I have produced many and varied custom pieces, including historical reproduction pieces. I have also worked with interior designers and have taught numerous floorcloth production workshops.

http://www.designsbygrace.biz

Kriebel, Donna & Ted

Mixed Media

Original folk art paintings are done on gessoed board using acrylics. A series of glazes seal the paintings and a shrink coat is applied to create cracks (the aged appearance). Oils are rubbed in to define the cracks. When dried, the shrink coat is washed off and a series of varnish coats are applied. the paintings are then placed in hand-grained and frequently lettered frames.