Landmark Artisan

Kesler, Jonathan

Earthly Arts Pottery

Clay

As a clay artist for four decades, my construct and intent for the creations of my hands and mind are simple. I am trying to bring into the world objects which impart a feeling and mentality of beauty.

The inclusion of the visual, how it enters the eye and so mind, is meant to suggest, without demand, a sense of balance, ease, and harmony and thereby yield strength and content(ment) to the mind.

Though the work may be deemed a functional in nature , it can morph into a presence which alters environment by simply being . It then does not have to be a used to function , and so becomes effective and affecting . This would be to yield change, and so congruent with life.

The leap which clay offers, is the adroitness of inclusion by function and use, multiplying capacity. If I am good enough as a thinker, an artist, and a craftsman, I can build a bridge upon which beauty can travel and so by begin a synergy.

[email protected]

earthlyartspottery.com

Kennedy, Selinda

Kennedy Redware Pottery

Clay

I am a historic redware potter since 1986. I employ historic folk art on slab technique redware pottery. I use mason stain and slip and underglazes.

facebook.com/kennedyredware

[email protected]

Kauffman, Justin

Kauffman Fine Furniture

Furniture

As a period formal furniture maker, Kauffman’s intention is to build furniture inspired by the designs of authentic period pieces and to impart to those pieces a beauty that can be admired and enjoyed, and a functionality that can be appreciated for generations. Kauffman’s hope is that his furniture, having been built with time-tested, period joinery and embellished with period carving, inlay, veneer, and other decorations, will emulate the quality, lasting appeal, and value of furniture from the 1700s and early 1800s. Lastly, that his furniture craftsmanship, conscientiousness, humanity, and dignity will be easily recognizable to those who own it.

http://kauffmanfinefurniture.com

Foster, Jackson

Jackson Foster Historic Signs

Wood

Jackson Foster is a maker and painter of trade & tavern signs in the tradition of 18th and 19th-century artisans. His research of historic people and places is the rationale for the majority of his signs. His background in history, design, lettering, and woodworking provides the basis for creating authentic interpretations of early American signboards. He uses reclaimed wood–some boards date to the 1700s–and period-style hardware including
blacksmith-forged hanging irons, nails, and hinges—all making for unique signs in which no two are alike. He continues to refine his craft through research of early American artisans, typographic styles, painting practices, and joinery techniques. Each sign purchase comes with a framed, historic description providing research and background information.

jfosterhistoricsigns.com

Aylward, Michael

Aldie Glassworks

Glass

The portfolio consists of large stained glass windows, utilizing traditional technique and craftsmanship. Each window is designed from colorful and vibrant portraits, using art glass as medium. Detailed borders frame and enhance the color scheme. Each piece is displayed with a large free-standing frame.

aldieglassworks.com

Rochford, Grace

I have always been interested in history and early American crafts. Through this interest, I became acquainted with the historical American floorcloths. I enjoy demonstrating and educating the public about this craft. During the last 12 years, I have made these canvas products for my home as well as for sale. My first piece, a large 8ft. rug is still in my front hallway. Many of my designs are inspired by the colonial canvases, although I create my own designs and have created contemporary items. My products begin with natural heavy cotton canvas. This canvas is stretched and coated with primer, artwork done and protective coats applied. The final step involves creating a folded under and glued hem. In addition to participating in many shows, I have produced many and varied custom pieces, including historical reproduction pieces. I have also worked with interior designers and have taught numerous floorcloth production workshops.

http://www.designsbygrace.biz

Kriebel, Donna & Ted

Mixed Media

Original folk art paintings are done on gessoed board using acrylics. A series of glazes seal the paintings and a shrink coat is applied to create cracks (the aged appearance). Oils are rubbed in to define the cracks. When dried, the shrink coat is washed off and a series of varnish coats are applied. the paintings are then placed in hand-grained and frequently lettered frames.

Wagaman-Donough, Barbara

Barb Wagaman-Donough and Bob Donough design and create wooden game boards in Lancaster Co. Pa. Ridge Hollow Game Boards began in 1986, due to both an interest in playing game boards and a passion for the history and design of antique game boards.
Barb earned a BA degree in Fine Arts/Design in 1977. Her painting is greatly influenced by her Pennsylvania German heritage. Bob is a skilled stone mason and wood worker and appreciates the craftsmanship of colonial game boards.

Each board is handcrafted and hand-painted on wood, using milk paints, acrylics or oils. The game is antiqued and varnished. Antique reproductions represent those that were simple and homemade and others by skilled carriage and sign makers Folk art designs are Barb’s original designs.

Demonstrations include painting of a game board and the history of board games, particularly those played in colonial America. Clay marbles can be made and one or more games are set up for children of all ages to play.

http://ridgehollowgameboards.com