Landmark Artisan

Kesler, Jonathan

Earthly Arts

Clay

My intention is the integration of art, nature, and the ‘everyday’ life of the patron. This I attempt to accomplish via the creation of forms that may, if desired, have a broad practical functionality which so-by leads to inclusiveness with the life flow of the patron. In turn the subjective art travels with the action creating a bridge for the suggestive surface imagery to promote its theme which is, specifically, nature. Each aspect has a rebounding circular path that in its totality proffers resonance. The art feeds on itself which ‘feeds’ the patron on multiple levels. Such is my intention.

EarthlyArtsPottery.com

Kennedy, Selinda

Kennedy Redware Pottery

Clay

I am a historic redware potter since 1986. I employ historic folk art on slab technique redware pottery. I use mason stain and slip and underglazes.

facebook.com/kennedyredware

Kauffman, Justin

Kauffman Fine Furniture

Furniture

As a period formal furniture maker, Kauffman’s intention is to build furniture inspired by the designs of authentic period pieces and to impart to those pieces a beauty that can be admired and enjoyed, and a functionality that can be appreciated for generations. Kauffman’s hope is that his furniture, having been built with time-tested, period joinery and embellished with period carving, inlay, veneer, and other decorations, will emulate the quality, lasting appeal, and value of furniture from the 1700s and early 1800s. Lastly, that his furniture craftsmanship, conscientiousness, humanity, and dignity will be easily recognizable to those who own it.

KauffmanFineFurniture.com

Foster, Jackson

J. Foster Historic Signs

Wood

Jackson Foster is a maker and painter of trade & tavern signs in the tradition of 18th and 19th-century artisans. His research of historic people and places is the rationale for the majority of his signs. His background in history, design, lettering, and woodworking provides the basis for creating authentic interpretations of early American signboards. He uses reclaimed wood–some boards date to the 1700s–and period-style hardware including
blacksmith-forged hanging irons, nails, and hinges—all making for unique signs in which no two are alike. He continues to refine his craft through research of early American artisans, typographic styles, painting practices, and joinery techniques. Each sign purchase comes with a framed, historic description providing research and background information.

jfosterhistoricsigns.com

Rochford, Grace

Designs By Grace

Mixed Media

Rochford has always been interested in history and early American crafts. Through this interest, she became acquainted with the historical American floorcloths. She enjoys demonstrating and educating the public about this craft. During the last 13 years, she has made these canvas products for home as well as for sale. The first piece, a large 8ft. rug is still in her front hallway. Many of designs are inspired by the colonial canvases, although she creates original and contemporary designs. The products begin with natural heavy cotton canvas. This canvas is stretched and coated with primer, artwork done, then a protective coats applied. The final step involves creating a folded under and glued hem. In addition to participating in many shows, Rochford has produced many and varied custom pieces, including historical reproduction pieces. She also worked with interior designers and have taught numerous floorcloth production workshops.

DesignsByGrace.biz

Kriebel, Donna & Ted

D.Masters Kriebel

Mixed Media

Original folk art paintings are done on gessoed board using acrylics. A series of glazes seal the paintings and a shrink coat is applied to create cracks (the aged appearance). Oils are rubbed in to define the cracks. When dried, the shrink coat is washed off and a series of varnish coats are applied. the paintings are then placed in hand-grained and frequently lettered frames.

Smith, Andy

Andy Smith Watercolors

Paper

My goal is to create paintings that capture subjects you may overlook, subjects that are all around you.
I do a lot of 1800’s historical sightseeing and enjoy that time period. I work with light, the use of light and dark and playing with shadows. My paintings are realistic with an underlying subtle abstract use of the brush. I take pride in being prolific, I paint everyday and am honored to earn my living as an artist…painting.

AndySmithArtist.com

Grabman, Marie-Helene

Marie-Helene Grabman

Mixed media

Using surgical scissors, I create cut paper designs from a single sheet of black or white paper, creating the dramatic effect of light versus dark with small bits of color (painted or cut paper) for focal points. A few of my designs have added layers of cut paper over the base cutting to create a dimensional effect.

The art is called “scherenschnitte”–or scissor cutting, a very old art form that developed in Switzerland and Germany in the 1500’s. The process is like woodcutting: you start with a blank resource and create the art by cutting parts of it away. Precision is paramount and it demands full concentration. Many of the cut lines are no thicker than thread-width. The paper is attached to the base mat with only small dots of glue so that the cutting floats within the frame, creating shadows. I feel this is an important part of the composition and it also works to identify the paper cutting from a pen and ink work or print.

Kid Friendly! Watch as a cutting is started then take it home and finish it yourself. Learn about the history of this almost lost art.

scissorcutter.com