Waterford Fair

78th American Crafts & Historic Homes Tour

Old School Inside

Linthicum, Lori

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Linthicum Hearts Desire Pottery

Clay

As a gardener comfortable in the dirt, Linthicum finds satisfaction using that same type of medium, clay, to try and replicate Nature’s art.

Porcelain allows her to create a three dimensional, tactile effect and try to bring native habitat to life for others to enjoy year round in their homes and gardens.

Through handbuilding, slabwork and coiling the clay is manipulated into buds breaking from the surface just as real blossoms spring from the soil. Mason stains and underglazes give a wide palette to paint the details, then a clear glaze is added and fire to cone 6. Some pieces are further enhanced with lusters.

Some regular visitors may recognize Lori’s work from the Old Mill Shop, where she has sold for many years.

heartsdesirepottery.net

Haigh, Paul

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Pottery

Haigh’s main body of work applies realistic sculpting to the traditional wheel turned face jug. The idea of creating realistic human faces was intimidating, and so he took it on as a challenge.

He draws on a wide range of subject matter as inspiration, including normal human emotion, as well as mythology, and the science fiction and horror genres.

Although most of the business is conducted online, he thoroughly enjoys the wide-ranging conversation about influences, pottery history, and technical detail that a display of his work inevitably provokes.

facebook.com/whmudworks

Kauffman, Justin

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Kauffman Fine Furniture

ARTISAN-SEAL
Landmark Artisan

Furniture

As a period formal furniture maker, Kauffman’s intention is to build furniture inspired by the designs of authentic period pieces and to impart to those pieces a beauty that can be admired and enjoyed, and a functionality that can be appreciated for generations. Kauffman’s hope is that his furniture, having been built with time-tested, period joinery and embellished with period carving, inlay, veneer, and other decorations, will emulate the quality, lasting appeal, and value of furniture from the 1700s and early 1800s. Lastly, that his furniture craftsmanship, conscientiousness, humanity, and dignity will be easily recognizable to those who own it.

kauffmanfinefurniture.com

Kriebel, Donna & Ted

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Mixed Media

ARTISAN-SEAL
Landmark Artisan

Original folk art paintings are done on gessoed board using acrylics. A series of glazes seal the paintings and a shrink coat is applied to create cracks (the aged appearance). Oils are rubbed in to define the cracks. When dried, the shrink coat is washed off and a series of varnish coats are applied. the paintings are then placed in hand-grained and frequently lettered frames.

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Shriver, Alison

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ARTISAN-SEAL
Landmark Artisan

Paper

Inspired by a collection of early family silhouettes, Shriver began creating silhouette collages incorporating antique papers with original ideas. When creating an original, the hand cut silhouette is the main subject, it is juxtaposed with relevant maps, stamps, antique ledgers & letters, beach collections, fossils, leaves, branches, wax seals, etc.

The silhouette collages are of many different subjects, including sailing ships, antique chairs, tables, dog breeds, cats, tea pots, pitchers, tureens, sea life, birds, butterflies, farm animals, horses, presidents & famous peoples silhouettes.

Shriver has been creating, exhibiting & selling original art around the world for nearly 30 years. The work continues to evolve each year which is extremely rewarding.

Kid Friendly! Kids participate in the Colonial custom of sealing wax. There are a large selection of seals to choose from and kids choose a design that appeals to them. They impress the seal into a puddle of hot wax, with their signature and date, and make a memento of the Fair. Antique seals, letters and large ledger are available to view.

alisonshriver.com

Hollick, Michele

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ARTISAN-SEAL
Waterford Landmark Artisan

Fiber/Textiles

Hollick has been making floorcloths for over thirty years. For many years she was one of the judges and later the chairperson for SALI (Stencil Artisan League, now IDAL) and their certification process. They would jury each applicant’s work at an annual convention. Many applied but few passed the rigorous test.

Stenciling is Hollick’s passion. Each time you lift off the stencil it is amazing to see what appears. She loves the work of the early stencilers and has been fortunate to tour homes in New England that have original Moses Eaton and Rufus Porter work. In the past she has been recognized in Early American Life and the top 200 Craftsmen. Her work appears in many magazines and books about decorating homes from the late 1700-early 1800’s. Hollick participates in many shows like the League of NH Craftsmen and sells to places like Colonial Williamsburg.

Hollick has done work for the Franklin Pierce homestead in NH, and Harriet Beecher Stowe house at Bowdin College.

stenciledfloorclothsbymichele.com

Jeffords, Barbara

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ARTISAN-SEAL
Landmark Artisan

Mixed Media

Art has been a part of Jeffords’ life since she was a child watching her father paint. He instilled a love of the beauty of nature and the simple things in life that mean so much to all of us. She has been painting professionally for around twenty years. Growing up in a rural setting with farms and glorious beauty of the seasons is what inspires her paintings. It’s fun to bring the beauty of the countryside and maybe an untold story of an old house or barn to life! Jeffords always has a story in mind behind the landscape and people in her art. Her hope is that the artwork will bring you to another place. A place where you can feel the breeze in the fields, the comfort and warmth of another time and the contentment of “Home”.

Kid Friendly! Children can watch Barbara as she shows them how to take basic shapes and turn them into animals.

facebook.com/Barbara-Jeffords

Mihills, Cheryl

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ARTISAN-SEAL
Landmark Artisan

Fiber/Textiles

Mihills creates original pictures using a miniature needle and a single strand of cotton thread producing a series of approximately 1200 loops and stitches per square inch. The technique creates intense detail, surface texture, depth, and a sense of motion.

The technique was used on a larger scale for punched rugs in the 1800s. It was also used on a smaller scale for folk costumes.

She will be demonstrating the technique on a miniature rug.

fiberarts.us