Waterford Fair

78th American Crafts & Historic Homes Tour

Wood

Chewning, Bruce

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Wood Curious

Wood

Chewning’s shop is a space to clean up and make a mess again. The shop is right outside their office. Some days they step out of their office and into the shop until it’s time for bed. It’s a small shop with lots of tools so everything has its place. It’s referred to it as a “one tool at a time shop.” All the power tools must be pushed to the side to clear space for the one task that he’s working on. Some of these tools are stacked 3 deep against the wall. The craft requires thoughtful strategy, process, and planning to navigate the tools in the small space to create a small wooden object. There are the stacks of wood saved for the next project-the boards milled from a neighbor’s tree, or from a tree their father cut down, or the board saved from a church pew that came from the church they were married in. It’s a collection of memories. Chewning’s space is a place to forget everything else and create something beautiful from scratch. When the floor is inches deep of sawdust and shaving, it’s swept and vacuumed until the shop is clean. Sometimes there’s a big glue up required and that’s followed by more sawdust and another cleanup. The piece then reveals its true beauty of the wood with grain that pops with color, shape, and texture. The best part of the process to see the wood come alive. Favorite pieces are always an inventory of one.

woodcurious.com

Stanik, Alex

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Oxylus Designs

Wood

As a third generation furniture craftsman, woodworking has always been a large part of Stanik’s life. He learned this art from his dad and grandfather and has always wanted to put his own vision into the trade. Stanik has been creating pieces of furniture for 15 years and has gained a large amount of knowledge about woodworking. Many different styles of furniture caught his attention. He enjoys working with metal and wood and wanted to incorporate metal into the furniture designs. This style closely represents an “Urban and Loft” design and appeals to a younger generation and incorporates metal accents in each piece. Stanik never wanted to tie himself to one area of woodworking and respect all aspects of the art. He enjoys classic pieces of furniture made from solid wood as well as fresh ideas including epoxy and live edge pieces. Live edge slabs give the opportunity the show off the true lines of a piece and leave everything completely natural. The use of epoxy pours in a piece provides the opportunity to use lumber that might not normally be selected for a quality piece of furniture and gives movement to the design.

oxylusdesigns.com

Foster, Jackson

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Jackson Foster Historic Signs

ARTISAN-SEAL
Landmark Artisan

Wood

Jackson Foster is a maker and painter of trade & tavern signs in the tradition of 18th and 19th-century artisans. His research of historic people and places is the rationale for the majority of his signs. His background in history, design, lettering, and woodworking provides the basis for creating authentic interpretations of early American signboards. He uses reclaimed wood–some boards date to the 1700s–and period-style hardware including
blacksmith-forged hanging irons, nails, and hinges—all making for unique signs in which no two are alike. He continues to refine his craft through research of early American artisans, typographic styles, painting practices, and joinery techniques. Each sign purchase comes with a framed, historic description providing research and background information.

jfosterhistoricsigns.com

Pendola, Paul

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Paul Pendola

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Galena Spoon Co.

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Wood

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Functional kitchen art. My hand carved food safe wooden spoons, spatulas, scoops, knives, and other assorted spice and eating spoons are crafted using only an Axe, straight carving knife, and a hooked spoon knife. I use fresh felled greenwood including black walnut, oak, apple, pear, birch, maple, among others. My items are simple, functional, original (no two alike, no templates), and beautiful.

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Kara, John & Carol

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Wood

ARTISAN-SEAL
Landmark Artisan

Kara Wood Designs has been creating wonderful woodwork for over 20 years. All of the shapes and patterns are original designs done by John Kara. The business started in the early 1990’s and consisted strictly of collapsible baskets. Years later, John got the idea to angle-cut different shapes such as angels, trees and crosses. We work in an individual studio where we use hardwoods and laminations of hardwoods to make the artwork.

karawooddesigns.com

DeWitt, Robert & Dominique

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ARTISAN-SEAL
Landmark Artisan

Wood

Our work is inspired by traditional American treenware with a contemporary design sense. Over the years, we expanded our work to include a variety of kitchenware and now custom furniture for the whole house. We use local, regional, and salvaged hardwoods, always keeping in mind sustainable forestry practices. Many of our pieces are made from trees harvested from our property.

http://dewittwoodworking.net/

Dabbs, Laurel

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ARTISAN-SEAL
Landmark Artisan

Wood

Crudely fashioned or exquisitely detailed, decoys provided a means of luring migratory waterfowl close enough to be an important staple in the diet of the Colonists, whose early years were harsh before crops became established. Dabbs’ gunning decoys start as eight-foot planks of white cedar, winter-cut and air-dried for at least two years. Sitting on a carving bench, she demonstrates every technique in a step-by-step process that shows a decoy’s progress from start to finish. Using antique handtools (a hatchet, mallet and gouge, spokeshave and carving knife), the head is doweled for strength before being attached to the hollowed-out body. Durable house paint assures a sturdy finish that stands up to the rigors of field use, and inletted lead makes sure the decoy self-rights in choppy water or sits nicely on a mantel. The tradition and history of the work are as important as the style and form of Dabbs’ carvings, as each decoy must be seaworthy and durable, as well as beautiful.

laureldabbs.com

Johnson, Michael & Nanette

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ARTISAN-SEAL
Landmark Artisan

Wood

Working with a wide variety of Southern hardwoods, Johnson creates a wide assortment of both hip high and tall walking sticks. Each is unique, as the wood reveals its qualities. The characteristics of the wood, such as thigmotropism, determine the final form. Often various shapes are carved into the handle or the top of a hiking stick, as suggested by the wood’s form. At times, items or personal mementos are incorporated into custom made walking sticks. Also, wood or horn may be bent and shaped to complete the walking stick. The finished product is a unique heirloom suitable for daily use and meant to last for generations. In Johnson’s demonstration, he conveys both the history and lore of the woods such as the American Chestnut, so that it too may be carried on to future generations.

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