Smashburgers, sandwiches, & fries
LOCATED NEAR THE OLD SCHOOL
80th American Crafts & Historic Homes Tour
As a third generation furniture craftsmen wood working has always been a large part of my life. I learned this art from my dad and grandfather and have always wanted to put my own vision into the trade. I have been creating pieces of furniture for 15 years and have gained a large amount of knowledge about woodworking. Many different styles of furniture have caught my attention but none that I was drawn towards. I have always enjoyed working with metal and wood and wanted to incorporate metal into my furniture designs. My style closely represents an “Urban and Loft” design. This style appeals to a younger generation and incorporates metal accents in each piece. I never wanted to tie myself to one area of wood working and respect all aspects of the art. I enjoy classic pieces of furniture made from solid wood as well as fresh ideas including epoxy and live edge pieces. Live edge slabs give the opportunity the show off the true lines of a piece and leave everything completely natural. The use of epoxy pours in a piece provides the opportunity to use lumber that might not normally be selected for a quality piece of furniture and gives movement to the design.
Properly worn MASKS (covering nose and mouth):
Forgot your mask? Disposable masks will be available at the following locations:
The Foundation is closely following the recommendations of the CDC and is following the Virginia COVID-19 Level of Community Transmission website to track Loudoun County transmission rate data. The above listed guidelines may change at any time. Changes will be posted to the Fair website, on social media and sent via email to ticket holders, vendors, and volunteers.
Throughout most of its history, Waterford was a relatively isolated community. One result of this isolation was that architectural styles arrived later in Waterford than in many other parts of the country. The Flavius Beans House illustrates this delay. It is a fine example of mid-Victorian architecture, although Flavius Beans did not have it built until about 1890.
The architectural details are more elaborate and “prettier” than would have been the case earlier; for instance, around the edges of the upper sash of each window are small square panes. The gabled pediment along the front roof line has a turned peak ornament at the top and decorative shingles within. The windows in the side pediments have small square panes, also surrounded by decorative shingles. Notice also the jigsaw trim above the bay window and the dentils and brackets. At one point there was probably more of this “carpenter Victorian” trim, which was removed as succeeding owners tried to keep up with the newer styles.
The high style of the Flavius Beans House is evidence of the economic strength of Waterford in the late nineteenth century. It also reflects the availability of commercially cut and sawn timber as a result of the extension of the railroad through nearby Paeonian Springs.
The Flavius Beans House property is open through the courtesy of Mr. and Mrs. Nicholas Ratcliffe.
This finely crafted house was probably built about 1806 by young Israel H. Thompson. Unfortunately, he died the same year, at age 22. The building he left is notable for its precisely mortared brickwork and an elegant architrave under the eaves.
Thompson’s executors sold the house to Richard Chilton in 1809, and in 1815 Isaac Steer and his son Jonah purchased the building. Early on, Isaac rented a “storeroom” in the house to the newly formed Loudoun Company, a bank founded by local farmers and businessmen. The enterprise was short-lived but, according to tradition, the steel door of its vault was repurposed to cap a horse-mounting block across the street.
The Chamberlin family that began the restoration of Waterford bought the property in the late 1930s and held it for more than 70 years. Wellman Chamberlin, National Geographic’s chief cartographer, made extensive repairs and improvements to the old building at mid-century, including replacing a dilapidated porch that spanned the front façade with a hand-carved door surround he fashioned himself.
The Bank House property is open through the courtesy of Tracy and Paul Shorn.
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