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Waterford Fair

80th American Crafts & Historic Homes Tour

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Charles Merchant House (Garden Only) (#6 on map)

15539 Second Street

Open on Friday: 10am to 5pm (Garden Only)

The land on which this house stands was originally purchased from the “Mahlon Janney Estate” auction in 1814 by Isaac Walker. Later owners included Robert Braden and then William Nettle, the master joiner of Waterford, who died in 1855. The lot then passed to his wife, who died in 1879.  The first indication of a building on the property is noted on the 1875 Survey of Waterford, which shows an agricultural or work shop building on the lot. Possibly this initial building was the work shop of Waterford’s master joiner. In 1891, Franklin and Mary Steer sold the property to James T. and Sarah Merchant, who then sold the property to his son Charles A. Merchant in 1906. He and his wife, the former Anna Mary Berry (“Mamie”), who had moved to Washington D.C., returned to Waterford for the health of their infant son Leo and purchased the lot in 1906.

Charles Merchant, a carpenter and painter, contracted with John Spinks, of nearby Paeonian Springs, to build a house. It seems quite possible that the main section of the house was constructed on the foundation of the prior building, and a new stone foundation was constructed for the rear portion of the house. Merchant lived here until the early 1930s. Herb Edwards, a later owner, lived here from 1943 until his death in 1987.

The renovations done by the present owners, Antonia Walker and Timothy H. McGinn, were designed and built by Mr. McGinn. The back of the house, which originally had only one window, has been opened up with two windows and a door to a back porch, orienting the view to the farmland to the west and allowing access to the flagstone patio and herb garden.

There is a new two-story addition just off the kitchen which includes a winter studio for Ms. Walker and bathroom on the second floor. Whenever possible, vintage building materials have been used or recycled to retain the character of the original house. The back door came from the Thomas Moore house on Bond Street and the balustrade of the porch was fashioned from the old kitchen cabinets.

The Charles Merchant House Garden is open through the courtesy of present owners Antonia Walker and Tim McGinn.

Three Property Tour

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[fusion_fontawesome icon=”fa-thumbtack fas” size=”18″ flip=”” rotate=”” spin=”no” link=”” linktarget=”_self” alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” iconcolor=”” iconcolor_hover=”” circle=”” bg_size=”-1″ circlecolor=”” circlecolor_hover=”” circlebordersize=”” circlebordercolor=”” circlebordercolor_hover=”” icon_hover_type=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””][/fusion_fontawesome]This tour starts at the Charles Merchant House.

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Charles Merchant Property

The land on which this house stands was originally purchased from the “Mahlon Janney Estate” auction in 1814 by Isaac Walker. Later owners included Robert Braden and then William Nettle, the master joiner of Waterford, who died in 1855. The lot then passed to his wife, who died in 1879.  The first indication of a building on the property is noted on the 1875 Survey of Waterford, which shows an agricultural or work shop building on the lot. Possibly this initial building was the work shop of Waterford’s master joiner. In 1891, Franklin and Mary Steer sold the property to James T. and Sarah Merchant, who then sold the property to his son Charles A. Merchant in 1906. He and his wife, the former Anna Mary Berry (“Mamie”), who had moved to Washington D.C., returned to Waterford for the health of their infant son Leo and purchased the lot in 1906.

Charles Merchant, a carpenter and painter, contracted with John Spinks, of nearby Paeonian Springs, to build a house. It seems quite possible that the main section of the house was constructed on the foundation of the prior building, and a new stone foundation was constructed for the rear portion of the house. Merchant lived here until the early 1930s. Herb Edwards, a later owner, lived here from 1943 until his death in 1987.

The renovations done by the present owners, Antonia Walker and Timothy H. McGinn, were designed and built by Mr. McGinn. The back of the house, which originally had only one window, has been opened up with two windows and a door to a back porch, orienting the view to the farmland to the west and allowing access to the flagstone patio and herb garden.

There is a new two-story addition just off the kitchen which includes a winter studio for Ms. Walker and bathroom on the second floor. Whenever possible, vintage building materials have been used or recycled to retain the character of the original house. The back door came from the Thomas Moore house on Bond Street and the balustrade of the porch was fashioned from the old kitchen cabinets.

The Charles Merchant House is open through the courtesy of present owners Antonia Walker and Tim McGinn

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Mahlon Schooley Property

Enter tour at the Charles Merchant Property.

Mahlon Schooley (b. 1788), who later helped establish a Quaker community in Iowa, built this brick dwelling in 1817 as part of the “New Town” development along Second Street. The original portion is a three-bay brick building with a metal gable roof and a dogtooth cornice. The house retains an architectural integrity that belies the changes that have taken place within. The large west wing was added before 1854.

In the early part of the 20th century, a fire necessitated the rebuilding of the south wall, at which time longer windows were installed. In the 1920s, the James Carr family replaced an earlier front porch with a large wrap-around version, which itself was removed in the 1960s. The foundation of the present brick stoop at the front door was part of the first porch. The Brown Morton family also restored a number of interior details, including an exact replica of the first entrance, an unusually wide nine-panel door.

The current owners undertook an extensive restoration focused on retaining as much original material as possible, while assuring the structural integrity of this house for its next two hundred years.

In the field directly behind the house, study revealed the existence of one of several brick kilns along Catoctin Creek where much of the soft brick used in village buildings was made. The pond at the bottom of the field was created in the 1960s. The small white frame building at the far corner of the field adjacent to the mill race was built in the 1920s as the village slaughter house.

The Mahlon Schooley House is open through the courtesy of Richard and Susan Rogers. The Rev. and Mrs. W. Brown Morton III, previous owners, protected the house from inappropriate change in perpetuity by the grant of a preservation easement to the National Trust for Historic Preservation.

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Ephraim Schooley Property

The oldest part of this house is the south end, which John Morrow, a weaver, built between 1821 and 1825, shortly before his death. Quaker Ephraim Schooley (1786-1867) acquired the property in the 1830s.

Renowned saddler Asa Brown (1794-1872) lived here in the 1850s and 60s. The Civil War split his large family down the middle. “Plucky” Asa, a veteran of the War of 1812, was a loyal Unionist, as was his son Turner and two daughters. Sons Charlie and “Ab” were “rabid secesh”
as was wife Aurena and a third daughter. Turner and Charlie had to be kept from killing each other, but all managed to survive the war, though Charlie took a Yankee bullet at the First Battle of Bull Run.

William F. Myers built the northern end of the house in 1850, and both halves (two separate dwellings) were sold to H.C. Bennett in 1876. From 1919 to 1959 the property belonged to the H.B. Parker family, another feisty bunch. Harvey, a blacksmith, came home from WWI, feuded with his brother Fred, who had run the smithy in his absence, and the two never spoke again. Mr. and Mrs. John G. Lewis purchased the property in 1959 and restored and finally united the two residences as one called the Parker-Bennett House.

Mr. and Mrs. William Chewning added a west wing in the 1970s, granting an easement to the Virginia Historic Landmarks Commission.

Mr. and Mrs. John J. Donovan built a second western addition in 1989.They also purchased three and one-half acres of pasture at the rear of the property in 1991 and granted a protective easement to the National Trust for Historic Preservation.

The Ephraim Schooley House is open through the courtesy of its current owners, the Manch family.

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Switzenberg, Bunny

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Bunny Switzenberg

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Waterford Landmark Artisan

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Bunny and John Switzenberg of Lancaster, Pa. are beekeepers and crafters. They make cinnamon-scented beeswax ornaments using antique German chocolate molds, some of which John’s great-grandfather brought with him when he emigrated from Germany in 1884. During the 50 years the Switzenbergs have been married, they have expanded that original mold collection into one of the largest antique candy mold collections in the country.

Kid Friendly! Get an information sheet about bees and your own piece of beeswax to practice with.

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[email protected]

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Smith, Andy

Andy Smith Watercolors

Paper

Andy Smith has been a full-time watercolor artist for 36 years. He loves painting antiques and the 1800’s time period and finds his subjects by traveling and sightseeing at historic areas. He loves light and the way it transforms the ordinary into something extraordinary.  Andy’s paintings start with a hand-drawing which gives them an intimate feeling.  He paints every day, creating fresh paintings and only prints two pieces a year, which retains the integrity of his original paintings.

AndySmithArtist.com

Grabman, Marie-Helene

Marie-Helene Grabman

Mixed media

ARTISAN-SEAL
Landmark Artisan

“Scherenschnitte”, or scissor cutting, is not very well known in this country. The art was introduced here in the 1700’s by immigrants from Switzerland and Germany. Like much of our art during this time, the style changed and American cutwork became very primitive in style. Today, only a handful of artists in this country practice the original, intricate, European style of scissor cutting – my specialty.

In my art, I use acid-free white, text paper or imported black French silhouette paper. Most of my scissor cuttings are cut freehand, from one piece of paper, using European surgical scissors. Occasionally, I will also add multiple layers of sculpted paper on top or below the base cutwork to add focal points of color or to achieve a dimensional effect. My work differs in one important element from the old European and American cuttings…I never completely attach the cuttings to the back mat. Rather, I float them on the mat to create shadows and a 3-dimensional effect that I feel is important to the final composition.

Kid Friendly! Watch as a cutting is started then take it home and finish it yourself. Learn about the history of this almost lost art.

scissorcutter.com

Gladfelter, Kimberly

Poplar Hollow Studio

Mixed Media

ARTISAN-SEAL
Landmark Artisan

Unique and one-of-a-kind mixed media folk art is created primarily with gourds. Many of the gourds are grown on the PA farm where I reside with my husband and co-artist, Bob.  The shape of the gourd is studied to determine what it wants to be.  No two gourds are alike having various shapes, sizes and textures. Sometimes a piece is created by individually hand-painting a gourd with it’s original unaltered shape using layers of acrylic paint with meticulous attention to detail. Other times mixed media work is created with paper clay hand-sculpted onto or over the gourd altering its shape and then hand-painted.   A multi-step, hand-rubbed aging technique using an umber wash finishes each piece before sealing and adds to the old fashioned charm. Most of the pieces are whimsical and holiday themed. The simplicity of country life on the family farm, the changing seasons, an affinity for treasures from a bygone era and holiday traditions…these things are all celebrated in my work.

PoplarHollowStudio.net

DeWitt, Robert & Dominique

ARTISAN-SEAL
Landmark Artisan

Wood

Our work is inspired by traditional American treenware with a contemporary design sense. Over the years, we expanded our work to include a variety of kitchenware and now custom furniture for the whole house. We use local, regional, and salvaged hardwoods, always keeping in mind sustainable forestry practices. Many of our pieces are made from trees harvested from our property.

DeWittWoodworking.net

Dabbs, Laurel

ARTISAN-SEAL
Landmark Artisan

Wood

Crudely fashioned or exquisitely detailed, decoys provided a means of luring migratory waterfowl close enough to be an important staple in the diet of the Colonists, whose early years were harsh before crops became established. Dabbs’ gunning decoys start as eight-foot planks of white cedar, winter-cut and air-dried for at least two years. Sitting on a carving bench, she demonstrates every technique in a step-by-step process that shows a decoy’s progress from start to finish. Using antique handtools (a hatchet, mallet and gouge, spokeshave and carving knife), the head is doweled for strength before being attached to the hollowed-out body. Durable house paint assures a sturdy finish that stands up to the rigors of field use, and inletted lead makes sure the decoy self-rights in choppy water or sits nicely on a mantel. The tradition and history of the work are as important as the style and form of Dabbs’ carvings, as each decoy must be seaworthy and durable, as well as beautiful.

laureldabbs.com

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Phone: 540-882-3018
[email protected]
Waterford Old School
40222 Fairfax Street
Waterford, Virginia 20197


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